![]() This collection is emblematic of the narrative flow Baldwin brings from his fiction and non-fiction into poetry it is also evidence that as a novelist and poet Baldwin’s voice is always consistent.Īs a black artist and cultural icon of his day, Baldwin’s work and persona existed in the service of the American public. He was instead considered a strong, clear narrative voice and a witness to how Americans hated and loved one another. When Beacon Press published the first edition of Jimmy’s Blues in 1983, four years before Baldwin’s death, the majority of Baldwin’s readership did not perceive him as a poet. As we look back to what we know of Baldwin’s work and style, Jimmy’s Blues (2013) shows us the parts of his writing that have been overlooked: a poetic speaker, for instance, who brings blues and jazz into the sounds and stories of this collection. For James Baldwin’s many devotees, Jimmy’s Blues and Other Poems is representative of the American novelist and essayist we all know: the narrative voice in Go Tell It on the Mountain (1953) and the unabashed writer-activist of The Fire Next Time (1963).
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